{"id":1353,"date":"2018-01-03T17:04:59","date_gmt":"2018-01-03T20:04:59","guid":{"rendered":"http:\/\/blog.opovo.com.br\/cinemaas8\/?p=1256"},"modified":"2018-01-18T11:45:53","modified_gmt":"2018-01-18T14:45:53","slug":"mehores-ano-internacional-e-nacional","status":"publish","type":"post","link":"https:\/\/blogs.opovo.com.br\/cinemaas8\/2018\/01\/03\/mehores-ano-internacional-e-nacional\/","title":{"rendered":"Melhores do ano &#8211; Internacional e nacional"},"content":{"rendered":"<p>&#8220;Melhores do ano&#8221; \u00e9 uma conven\u00e7\u00e3o. As listas abaixo s\u00e3o pessoais e, obviamente, subjetivas. Ou seja, estas duas nem s\u00e3o do &#8220;Cinema \u00e0s 8&#8221;: s\u00e3o do Andr\u00e9 Bloc.<\/p>\n<p>Antes da lista propriamente dita, um esclarecimento. A divis\u00e3o entre internacionais e nacionais n\u00e3o \u00e9 por dem\u00e9rito dos filmes brasileiros. Dois deles brigariam para entrar entre os 8 e certamente entrariam na sele\u00e7\u00e3o de 18 longas. A ideia \u00e9 potencializar o cinema feito no Brasil e, por isso, s\u00e3o oito selecionados. A lista considera filmes lan\u00e7ados comercialmente em Fortaleza durante o ano de 2017.<\/p>\n<p>Agora, vamos ao que importa. Primeiro, filmes brasileiros:<br \/>\n<strong>1-Mart\u00edrio<\/strong>, de Vincent Carelli<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1263\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/mart\u00edrio-624x351.jpg\" alt=\"\" width=\"550\" height=\"309\" \/><\/p>\n<p><strong>2-As Duas Irenes<\/strong>, de Fabio Meira<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1257\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/as-duas-irenes-624x416.jpg\" alt=\"\" width=\"550\" height=\"367\" \/><\/p>\n<p><strong>3-Como Nossos Pais<\/strong>, de Lais Bodanzky<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1260\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/como-nossos-pais-624x337.jpg\" alt=\"\" width=\"550\" height=\"297\" \/><\/p>\n<p><strong>4-Era o Hotel Cambridge<\/strong>, Eliane Caff\u00e9<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1262\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/era-o-hotel-cambridge-624x329.jpg\" alt=\"\" width=\"550\" height=\"290\" \/><\/p>\n<p><strong>5-Corpo El\u00e9trico<\/strong>, de Marcelo Caetano<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1261\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/corpo-el\u00e9trico-624x351.jpg\" alt=\"\" width=\"550\" height=\"309\" \/><\/p>\n<p><strong>6-Clarisse ou Alguma Coisa sobre N\u00f3s Dois<\/strong>, de Petrus Cariry<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1259\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/clarisse.jpg\" alt=\"\" width=\"550\" height=\"231\" \/><\/p>\n<p><strong>7-O Filme da Minha Vida<\/strong>, de Selton Mello<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1264\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/o-filme-da-minha-vida-624x414.jpg\" alt=\"\" width=\"550\" height=\"365\" \/><\/p>\n<p><strong>8-Bingo \u2013 O Rei das Manh\u00e3s<\/strong>, de Daniel Rezende<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1258\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/bingo-o-rei-das-manh\u00e3s-624x351.jpg\" alt=\"\" width=\"550\" height=\"309\" \/><\/p>\n<p>E enfim, os meus oito filmes internacionais favoritos:<br \/>\n<strong>1- O Ornit\u00f3logo<\/strong>, de Jo\u00e3o Pedro Rodrigues (Portugal\/Fran\u00e7a\/Brasil)<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1270\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/o-ornit\u00f3logo-624x261.jpg\" alt=\"\" width=\"550\" height=\"230\" \/><\/p>\n<p><strong>2- Detroit em Rebeli\u00e3o<\/strong>, de Kathryn Bigelow (Estados Unidos)<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1267\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/detroit-624x339.jpg\" alt=\"\" width=\"550\" height=\"299\" \/><\/p>\n<p><strong>3- A Criada<\/strong>, de Park Chan-wook (Coreia do Sul)<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1272\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/the-handmaiden-624x336.jpg\" alt=\"\" width=\"550\" height=\"296\" \/><\/p>\n<p><strong>4- Moonlight \u2013 Sob a Luz do Luar<\/strong>, de Barry Jenkins (Estados Unidos)<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1268\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/moonlight-624x312.jpg\" alt=\"\" width=\"550\" height=\"275\" \/><\/p>\n<p><strong>5- Personal Shopper<\/strong>, de Olivier Assayas (Fran\u00e7a\/Alemanha\/Rep\u00fablica Tcheca\/B\u00e9lgica)<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1271\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/personal-shopper-624x351.jpg\" alt=\"\" width=\"550\" height=\"309\" \/><\/p>\n<p><strong>6- Bom Comportamento<\/strong>, de Josh e Ben Safdie (Estados Unidos)<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1265\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/bom-comportamento-624x416.jpg\" alt=\"\" width=\"550\" height=\"367\" \/><\/p>\n<p><strong>7- Ver\u00e3o 1993<\/strong>, de Carla Sim\u00f3n (Espanha)<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1273\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/ver\u00e3o-1993-624x358.jpg\" alt=\"\" width=\"550\" height=\"316\" \/><\/p>\n<p><strong>8- Corra!<\/strong>, de Jordan Peele (Estados Unidos\/Jap\u00e3o)<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1266\" src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/themes\/veen\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-content\/uploads\/sites\/57\/2018\/01\/corra-624x257.jpg\" alt=\"\" width=\"550\" height=\"227\" \/><\/p>\n<p>Por fim, outros dez \u00f3timos filmes lan\u00e7ado em 2017, em ordem alfab\u00e9tica:<br \/>\n<strong>Columbus<\/strong>, de Kogonada (Estados Unidos)<br \/>\n<strong>Em Ritmo de Fuga<\/strong>, de Edgar Wright (Reino Unido\/Estados Unidos)<br \/>\n<strong>Fragmentado<\/strong>, de M. Night Shyamalan (Jap\u00e3o\/Estados Unidos)<br \/>\n<strong>Logan<\/strong>, de James Mangold (Canad\u00e1\/Austr\u00e1lia\/Estados Unidos)<br \/>\n<strong>Manchester \u00e0 Beira-Mar<\/strong>, de Kenneth Lonergan (Estados Unidos)<br \/>\n<strong>Melhores Amigos<\/strong>, de Ira Sachs (Estados Unidos\/Gr\u00e9cia\/Brasil)<br \/>\n<strong>A Mulher Que Se Foi<\/strong>, de Lav Diaz (Filipinas)<br \/>\n<strong>Paterson<\/strong>, de Jim Jarmusch (Estados Unidos\/Fran\u00e7a\/Alemanha)<br \/>\n<strong>Sil\u00eancio<\/strong>, de Martin Scorsese (M\u00e9xico\/Taiwan\/Estados Unidos)<br \/>\n<strong>Toni Erdmann<\/strong>, de Maren Ade (Alemanha\/\u00c1ustria\/Su\u00ed\u00e7a\/Rom\u00eania\/Fran\u00e7a)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Melhores do ano&#8221; \u00e9 uma conven\u00e7\u00e3o. As listas abaixo s\u00e3o pessoais e, obviamente, subjetivas. Ou seja, estas duas nem s\u00e3o do &#8220;Cinema \u00e0s 8&#8221;: s\u00e3o&#8230;<\/p>\n","protected":false},"author":112,"featured_media":1386,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,1],"tags":[34,48,104,229,440,469,482,493,545],"class_list":["post-1353","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-melhores-de-2017","category-sem-categoria","tag-34","tag-a-criada","tag-as-duas-irenes","tag-detroit-em-rebeliao","tag-lista","tag-martirio","tag-melhores-do-ano","tag-moonlight","tag-o-ornitologo"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-json\/wp\/v2\/posts\/1353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-json\/wp\/v2\/users\/112"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-json\/wp\/v2\/comments?post=1353"}],"version-history":[{"count":1,"href":"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-json\/wp\/v2\/posts\/1353\/revisions"}],"predecessor-version":[{"id":1387,"href":"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-json\/wp\/v2\/posts\/1353\/revisions\/1387"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-json\/wp\/v2\/media\/1386"}],"wp:attachment":[{"href":"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-json\/wp\/v2\/media?parent=1353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-json\/wp\/v2\/categories?post=1353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.opovo.com.br\/cinemaas8\/wp-json\/wp\/v2\/tags?post=1353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}